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Once you start to listen to your voice, you start to feel the power in that, and I definitely feel like I’m going through that now.
What is it about Liz Allen’s approach, as a director, that works well with the way you like to approach things, as an actor?
You have so much control in making sure everyone is having a really good time and everyone is heard. At the same time, if Steven Spielberg calls and wants me to come act, I’m happy to do it.
My character, Lucy, is this 27-year-old app designer who is about to marry the wrong guy, and starts getting text messages from herself, 10 years in the future, telling her not to do it. It’s the show that I’ve always wanted to make, in a way.
It’s really a story about friendship – she’s got her girlfriends there – and listening to yourself, figuring out who the right person is to settle down with, and creating the life that you want to be living in 10 years, so you don’t have so much regret about the person that you’ve become. We got really lucky because Sallie Patrick was one of the writers on , and she came on and rewrote this entire script for us.
When I’m acting, I love direction, and she’ll just work beats and give you tons of different notes, keeping the camera on and really exploring moments in scenes.
She really pushes you to get out of your comfort zone and expect more from yourself than you would have wanted to. I started bombarding her with emails, convincing her to do this with me. When someone like that inspires your own work so much, does that give you the desire to want to direct yourself? She was just like, “Get a TV show and start directing.” Getting someone to let me produce was a huge step forward.